• EDITORIAL: Editorial - Jeannette Delamoir and Patrick West

• FEATURE: In Defence of Literary Adaptation as Cultural Production - Linda Hutcheon

• Adaptation and the Art of Survival - Sergio Rizzo

• Agency in Adaptation - Michelle McMerrin

• Who Do I Turn (in)to for Help?: Multiple Identity as Adaptation in Adaptation - Lexey A. Bartlett

• “To Us Writers, the Differences Are Obvious”: The Adaptation of Hip Hop Graffiti to an Australian Context - Kara-Jane Lombard

• From British “Pride” to Indian “Bride”: Mapping the Contours of a Globalised (Post?)Colonialism - Suchitra Mathur

• Film/Print: Novelisations and Capricorn One - Deborah Allison

• Adaptation, Intertextuality, and the Endless Deferral of Meaning: Memento - Ilana Shiloh

• Amen to That: Sampling and Adapting the Past - Steve Collins

• Subverting the “Good, Old Tune”: Carlos Saura’s Carmen - Ioana Furnica

• Becoming-Samurai: Samurai (Films), Kung-Fu (Flicks) and Hip-Hop (Soundtracks) - Kevin P. Eubanks

• Adapting Femininities: The New Burlesque - Debra Ferreday

• Adapting to a New Identity: Reconstituting the Self as a Heart Patient - Lelia Green, Leesa Bonniface and Tami McMahon

• Adapting a Model of Duration: The Multitemporality of T_Visionarium II - Tim Barker

• The Persistence of Fidelity: Adaptation Theory Today - J.D. Connor