A road winds from the centre of the frame away into the distance. Trees crowd in on either side of the road. A house is visible behind the trees. There is a person on the road, just before it curves out of sight. The image is black and white.

Vol 21, No 4 (2018): walking

Image by Saša Rajšić and Vitalis Neufeld from To UnBecome
Protest Cover Image

Vol 21, No 3 (2018): protest

Image by Molly Adams / Flickr (CC-BY 2.0), adapted from original



Cover Page

Vol 20, No 6 (2017): north

Image: 'After Fire', by Richard Nile


Cover Page

Vol 21, No 2 (2018): automediality

Images by Arko Højholt featuring Mikka Højholt "doing internet research."
Dancer Ponders a Stream of Repeating Dots and Lines

Vol 21, No 1 (2018): trans-seriality

Image by Matthias Härtig. Performer: Simone Model. Rehearsals for the European Tele-Plateaus project, TMA Hellerau.


Eight half-length separate portraits of Henry Lawson sitting on a chair.

Vol 20, No 4 (2017): depict

Henry Lawson, 1915. Image by William Johnson (State Library of NSW Collection).
Image of text: what do they want

Vol 20, No 3 (2017): caption

Image from Buffy S4 E10: "Hush"
Build plan

Vol 20, No 2 (2017): build

Image: 'Build' by Simon Dwyer (2017)
Still not coming to a theatre near you...

Vol 20, No 1 (2017): alternative

Image by Harmony Korine from Trash Humpers (2009)


Cover Page

Vol 19, No 5 (2016): abroad

Image: King and Queen (after Don Dale), 2016 Lithograph by Robert Hague
Cover Page

Vol 19, No 4 (2016): transform

Image by Jane O'Sullivan
Cover Image

Vol 19, No 3 (2016): place

Image: ryanlerch / openclipart
Cover Page

Vol 19, No 2 (2016): mentor

Linoprint by Angelina Ambrosetti
Image: Austin Ban of, via

Vol 19, No 1 (2016): corporeal

Image by Austin Ban of, via


Cover Page

Vol 18, No 6 (2015): re-imagine

Photo: Re-imagine, Simon Dwyer, 2015
Cover Page

Vol 18, No 5 (2015): beginnings

Image: 4/366 Beginning by Magic Madzik (CC BY, Flickr)
Cover Page

Vol 18, No 4 (2015): curate

Image: Visual storage at the Victoria & Albert Museum, London, England, by Sarah Stierch (Wikimedia Commons, CC-BY)
Cover Page

Vol 18, No 3 (2015): fat

Image by Julie M. Parsons
Cover Page

Vol 18, No 2 (2015): technique

Image by Chris Devers (2011): 'MIT+150: FAST (Festival of Art + Science + Technology): FAST LIGHT — voltaDom' (
Cover Page

Vol 18, No 1 (2015): authentic

Image by DryHundredFear


Cover Page

Vol 17, No 6 (2014): counterculture

Image: The Nimbin Pole, 1973. Photograph by Chris Meagher. The image is an iconic image from the 1973 Aquarius Festival, the Australian counterculture festival, held in the village of Nimbin in northern NSW, Australia. The pole was the whimsical brainchild of Anouska Wilde.
Cover Page

Vol 17, No 5 (2014): illegitimate

Image by Helen Vella Bonavita
Cover Page

Vol 17, No 4 (2014): gothic

Collage image by Lorna Piatti-Farnell
Cover Page

Vol 17, No 3 (2014): persona

Image: Persona, by Alison Bennett (Motion.Lab, School of Communication and Creative Arts, Deakin University)

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