Browse Title Index

Issue Title
Vol 12, No 2 (2009): enthuse “If you can walk down the street and recognise the difference between cast iron and wrought iron, the world is altogether a better place”: Being Enthusiastic about Industrial Archaeology Abstract
Hilary Geoghegan
Vol 17, No 5 (2014): illegitimate “In Everything Illegitimate”: Bastards and the National Family Abstract
Helen Vella Bonavita
Vol 17, No 2 (2014): cute “It Belongs to the Internet”: Animal Images, Attribution Norms and the Politics of Amateur Media Production Abstract
James Meese
Vol 12, No 5 (2009): disclose “Just Emotional People”? Emo Culture and the Anxieties of Disclosure Abstract
Michelle Phillipov
Vol 17, No 6 (2014): counterculture “Long Gone Hippies in the Desert”: Counterculture and “Radical Self-Reliance” at Burning Man Abstract
Mario George Rodriguez
Vol 20, No 2 (2017): build “Making It Happen”: Deciphering Government Branding in Light of the Sydney Building Boom Abstract
Nicholas Richardson
Vol 17, No 2 (2014): cute “Meng? It Just Means Cute”: A Chinese Online Vernacular Term in Context Abstract
Gabriele de Seta
Vol 20, No 5 (2017): history “Mommy Killed Him”: Gender, Family, and History in Wes Craven’s A Nightmare on Elm Street (1984) Abstract
Jay Daniel Thompson, Erin Reardon
Vol 15, No 1 (2012): suspicion “Old Father, Old Artificer”: Queering Suspicion in Alison Bechdel’s Fun Home Abstract
Sarah Catherine Richardson
Vol 13, No 5 (2010): pig “Porky Times”: A Brief Gastrobiography of New York’s The Spotted Pig Abstract
Donna Lee Brien
Vol 18, No 3 (2015): fat “Shape Carries Story”: Navigating the World as Fat Abstract
Zoe C. Meleo-Erwin
Vol 16, No 4 (2013): remix “Taking This from This and That from That”: Examining RZA and Quentin Tarantino’s Use of Pastiche Abstract
Phillip Lamarr Cuningham, Melinda Lewis
Vol 20, No 5 (2017): history “The Blood Never Stops Flowing and the Party Never Ends”: The Originals and the Afterlife of New Orleans as a Vampire City Abstract
Lorna Piatti-Farnell
Vol 15, No 1 (2012): suspicion “There’s Suspicion, Nothing More” — Suspicious Readings of Michael Haneke’s Caché (Hidden, 2005) Abstract
Alison Taylor
Vol 18, No 6 (2015): re-imagine “They’re creepy and they’re kooky” and They’re Copyrighted: How Copyright Is Used to Dampen the (Re-)Imagination Abstract
Steve Collins
Vol 16, No 3 (2013): cookbook “This receipt is as safe as the Bank”: Reading Irish Culinary Manuscripts Abstract
Dorothy Ann Cashman
Vol 16, No 3 (2013): cookbook “We eat more than kangaroo tail or dugong you know…”: Recent Indigenous Australian Cookbooks Abstract
Bronwyn Fredericks, Margaret Anderson
Vol 11, No 5 (2008): country “Welcome My Friends”: Nation and Country at the Beijing Olympics Abstract
Jason Graham Bainbridge
Vol 16, No 5 (2013): resilient “What Can I Do to Get Out of It?”: How Self-Help Readers Make Use of the Language Game of Resilience Abstract
Nicolas Marquis
Vol 17, No 4 (2014): gothic “You have a secret that you don't want to tell me”: The Child as Trauma in Spanish and American Horror Film Abstract
Jessica Balanzategui
Vol 12, No 5 (2009): disclose “your darkness also/rich and beyond fear”: Community Performance, Somatic Poetics and the Vessels of Self and Other Abstract
Petra Kuppers
Vol 17, No 5 (2014): illegitimate Bastard Immigrants: Asylum Seekers Who Arrive by Boat and the Illegitimate Fear of the Other Abstract
Lelia Green, Anne Aly
Vol 12, No 1 (2009): still Be Still, Be Good, Be Cool: The Ambivalent Powers of Stillness in an Overactive World Abstract
Andrew Murphie
Vol 17, No 2 (2014): cute Because Neglect Isn't Cute: Tuxedo Stan's Campaign for a Humane World Abstract
Shari Sanders
Vol 13, No 3 (2010): deaf Becoming Deaf Abstract   Untitled   Untitled
Karen McQuigg
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